halfway through this, the last of the big shots - about a hundred drawings.
picking away, coloring a few frames here, a few frames there, animation can seem like chiseling a block of marble with a toothpick. probably people who restore paintings may have a similarly ridiculously meticulous mentality.
love those nighttime backgrounds colors by ellen. going to make the daytime shots more saturated, to keep this rich color. going to take the background linework out as well, pretty sure that will look better.
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